Scheduling
an interview with Pete Edochie seems like an assignment of a lifetime.
There have been stories about him being a no-nonsense man, and someone who had
been wary of journalists since he was kidnapped a few years back. Even his
movie roles as a wicked ritualist, Igwe or strict father did not help matters
either.
He
did not pick his phone the first time, but when he eventually did, one had a
momentary fear of rejection, which had been the lot of many before
now.
“Good
afternoon sir. My name is Joan from the Saturday Tribune. We haven’t heard from
you in a while; we have missed your movies and your proverbs, and I would like
to schedule an interview with you.”
He
seemed to pull back a little and I felt ‘Well, if he says no, too bad.’ But he
laughed softly and said, “Joan, your name is pronounced ‘J-o-n-e’ not
‘Jo-anne’; why have you decided to spoil your name? When I was younger, I
trained in the British Broadcasting Corporation. You dared not pronounce names
that way.”
“Yes
sir, actually sir, I know.” (That actually brightened up the mood). Then he
laughed heartily and said, “About the interview, I’ll think about it and get
back to you.”
Of
course, the next time, he agreed and said he would be in Lagos the next
weekend. When I arrived at the venue of the interview, I was ushered in and
asked to wait for minutes. And when he came in, he was actually very different
from what we used to see on the screen. He was as tall as a giant, and he
spread out his hands and beckoned on me to come into his embrace. I thought I
heard him whisper a few words that sounded like ‘don’t
be afraid, honey. Nno (welcome).’ He sat down and said, “You know why I agreed
to grant this interview? Most of the times people call me for interviews and I
keep running away, but you never gave up; you never gave me a break. You have
been on my case for the past three weeks. Well done kid.” In this chat
with JOAN OMIONAWELE, the ace broadcaster/actor described his world and
his life as an actor.
You
were rumoured to have died last year; how did that make you feel?
It
did not make me feel anything.
So
you did not feel bad that people wanted you dead?
If
you know me and my character make-up, I don’t bother very much about what
people say about me; I have my life to live. From my philosophical persuasion,
I am a Fabian, and I believe that the end must justify the means. That does not
mean that you must give everything to get something, but if you make up your
mind, make sure you are not obsessed with getting to step on the toes of
people. It’s a question of conviction and resistance. So, I wasn’t bothered.
People
have said you withdrew from movies because you were kidnapped years back...
I
did not. I decided to pursue an undying vision, an assignment I was given by
the church, and I gave priority treatment to that. I still act but that’s when
I have the time. I am in Lagos today, and by the time a role comes, I will be
in Aba. I did six movie productions last year.
Let
me take you back to the year you were kidnapped. Do you still think about it?
No,
though once in a while you recall an experience that is haunting; but what can
we do when we are in a country with little or no security?
So
you did not have nightmares after the experience?
No,
I did not. I am a very strong-minded man and if something explodes here,
nothing will happen if it doesn’t touch me. Though I am hypertensive, I don’t scare
easily.
Recently,
Pastor Chris Okotie said all Catholics would go to hell because they don’t
believe in Jesus, and that the Pope is an anti-Christ. As a Catholic, what do
you have to say about that?
He
is entitled to his opinion. He has a right to say whatever he likes and he is
using that right. Constitutionally, he is entitled to it. Stupidity is what we
all have in common as human beings, but some people insist that improving it is
their entitlement. So, you expect Pete Edochie and other Catholics to be angry?
No, I won’t.
I
knew Chris some years back; he was fond of me when he was still in school. When
I was still a broadcaster, a Hausa man presented him with a car and he came and
showed it to me. He is someone I have always liked and he is entitled to his
views.
When
people condemn T. B. Joshua and say he is using devilish powers, I tell them,
‘Go and use devilish powers and do what he is doing too.’ I don’t believe in
running people down because you can’t reach their gifts and depriving others of
their hard-earned credit.
What
do you think about the political situation of the country?
Look
at people crossing from one party to the other. It just shows that our
democracy has no meaning. The people you owe your obligation to are those who
elected you, who make up your constituency. Before you make any decision or
defect, consult them. It is rather unfortunate. Before we gravitate to 2015, by
the time they want to pick a presidential candidate that is where the problem
will come from. Let’s watch.
You
were elected on a particular political platform, and you switch over, hoping to
maintain... Can I ever be a politician? God forbid! Will any of my children
become politicians? Let God forbid it now that I am still alive.
What
if one of them comes up and says he wants to become a politician?
Except
he is not my child.
Will
you disown him?
I
will discourage him. I remember an occasion that a politician was on the
television and I was sitting with another politician, and the one on TV was
screaming, ‘If I get the people who stole this money, I will not only sack
them; I will prosecute them,’ and the politician by my side said ‘Nonsense! He
took the money; I was there.’
Did
you ask him if he was given some share of the money?
No,
I knew him very well. Both of them are dead now. People were suspended and when
power changed hands, those who were suspended were brought back because of that
money. So, Pete Edochie will never be a politician.
You
see, Chief Obafemi Awolowo was my ideal politician. If he said I would do this
project with a million, he would tell you where the million would come from. He
was an incredible person. Awolowo introduced and innovated a lot of programmes
in this country. He introduced free education first.
If
you were not born then, you would not know. Today, we don’t have politicians
with conviction. We only have people who hobnob with the public truncheon of
the society to milk us dry. Awolowo would go to universities to campaign and
get people to do meaningful researches for him and provide him with necessary
materials. But we are not doing anything again. They found oil money and got
drunk with it. Haven’t we had enough?
Nigerians
have known you since you acted Chinua Achebe’s book, Things Fall Apart, but how
did acting really start for you?
I
had been on television for a very long time, before Things Fall Apart, but
people who were in Lagos did not know that people like us existed. They were
only seeing Village Headmaster with Funso Adeolu, but we had been on stage
since 1967. Before then, I had done drama sketches in school – Shakespeare
and the rest of them. It was Things Fall Apart that gave me international
exposure, and the biggest compliment I got was from Chinua Achebe, who said I
gave Things Fall Apart the interpretation after his heart. The BBC crew flew
down to Nigeria to interview me and went back.
Permit
me to say this without sounding immodest: no other actor has attracted such
international attention in the country.
The
proverbs you use in your movies, are they scripted or from your repertoire?
(Laughs)
They come from me.
Everything?
Yes,
everything.
When
you use those proverbs, how do the directors react?
I
am asking you the question: how would they feel, you are a daughter, if I use a
proverb to correct you? You are not going to question the propriety of that
proverb, because if it were not, I wouldn’t use it.
Pete
Edochie always acts the role of a rich man or an Igwe? How rich are you in
reality?
Well,
I eat three times a day, when I feel like. I trained all my kids and take care of
them without borrowing from the bank. People always ask why I am always given
such roles and I ask them in return, can you cast me as a driver? No. Can you
cast me as a gateman? No.
But
I heard there are instances you rejected such roles?
It
is not that. Let me assume that you are given the role of a very big woman,
then Pete Edochie is made your driver; I come and open the car for you and I
can even physically throw you up and eat you up. If you are looking for a rich
man, look for a tall and huge man, with a congenital and aristocratic
disposition; then you got me – not someone who trains himself to try to look
big. When I sit down as an Igwe, I radiate authority. I am not saying it to
flatter myself, but I know what I represent.
There
was a time I was cast in the role of a poor man, and I was trying to mend nets
at the river side, and people looked at my legs and saw that my legs were so
smooth and big. I have a physique that makes it difficult to play me down. If
all the actors audition for a big role, I will be chosen, because nature has
denied me some roles. But I enjoy the roles I am given.
Is
it true that you correct some scripts?
Yes.
Some scripts are written very badly and I am compelled to take them along. I
don’t allow them to drag me down or remain there. Some of my colleagues know
how those scripts are written.
But
don’t you think it will make them afraid or tired of giving you roles?
No.
Let me tell you something: if you are going to feature in a movie as my
daughter, when you come in, I know you will be scared, so I will call you and
give you a hug and say ‘Ngwanu, come and sit on my laps,’ and ask you what we
are going to eat today, so that at the time we go on set, you are already
familiar with me. But our people don’t have that kind of orientation; they
position you far away from me and say you should act like my children. That
way, there is no closeness.
Isn’t
it because you are always hardened and act like a wicked man?
If
on a movie set you are my daughter, and I am meant to love you as my daughter,
I can’t start saying ‘Hey baby, you know I love you.’ It’s silly.
It’s
un-African. It’s not our culture. You must love your child – even if it’s a
love child. But you don’t have to drive the point home. It makes no sense.
I
watch some young actors and actresses and when they get angry, they kick
something and throw things. That is not our culture. I smoked for 21 years
before I quit, and each time I got tensed up, I looked for a cigarette, and
psychologically I was puffing away the anger; but there is no other thing it
does for you physically but to destroy your lungs.
We
allow the foreign movies we watch to influence us – particularly the younger
ones, who want to talk like Americans and say things like ‘Oh shit!’, ‘F..k!’
The African Americans who employ these words use them in protest against the
suppression of the White man. They use those words to annoy the White people.
Nigerians don’t need those things because we are not under any international
suppression – except from ourselves. We cannot express our anger in four-letter
words. Someone brought me a script and it was filled with ‘shit’, ‘f..k’, and I
told him I don’t do such movies, I am sorry. People learn from me. What will
they say if I dump my proverbs for such gutter language?
So
you did not take that role?
No.
I think I have rejected more scripts than anybody in the industry. I am a lover
of linguistic decency. I am not into movies because if I don’t do it I will not
survive; I enjoy doing it. So, you will not coerce me into doing things I know
do not make sense.
I
respect my good friend, Olu Jacobs, because his diction is impeccable. I
haven’t also been seeing Bimbo Manuel. That man is a good actor. I have not
seen him for long and I am not happy about it. Also, Keppy Ekpeyong also speaks
well. I complimented him once and he went home and brought his daughter to
greet me. He could not believe it. I told him people think I am the ultimate,
but I told him that was untrue. ‘You people are doing very well and making me
proud.’
Do
you think Nollywood is on the right track?
Nollywood
is incredible and is recording giant strides. Today, most of our actors,
particularly the women like Stephanie Okereke, Omotola, Genevieve, Stella Damasus,
Uche Jombo are involved in trans-Atlantic collaborative productions with our
counterparts. They are making us proud. At one time or the other, they all
played my daughters, and when I look at them, I feel some sense of
satisfaction. I feel very happy. These girls are pushing our name and they are
making the country proud. The men are doing their utmost, but I think in terms
of international engagements, the women are doing much more than the men.
Sometimes, the productions we do these days get too lengthy and boring. There
is one that has been on my TV for over six hours and is still on.
But
we have been doing very well. Many young actors now are making an impression.
Unfortunately, I lost some of my colleagues over the last couple of years. I
lost my friends, Ashley Nwosu, Sam Loco, Enebeli Elebuwa who grew up with me in
the same room in my father’s house in Zaria. I lost Justus Esiri, who was with
me in Things Fall Apart. I lost David Essien, who was my senior in
broadcasting; and I lost Peter Eneh. I lost a lot of my colleagues and they
belonged to the 60-70 age bracket. Death seems to be coming so fast, so I said,
“God, permit me to hang on and represent these people now that they are all
gone.” And He said, “Okay, go on.” So I’m here.
Are
you afraid of death? Do you think about death?
Yes,
I think about death. Why shouldn’t I? I think about death not because it is
inevitable but because I would like to be prepared to meet my maker when the
time comes. That’s why I am afraid of death. There is nobody alive who likes
dying. Even if a man is 100 years, loses his sight, becomes a vegetable and
inconveniences others, he still wouldn’t like to go. So, yes, as a normal human
being, I think of death. Merely thinking of death encourages me to avoid
excesses.
What
are those excesses?
As
a young man, I drank a lot. I could drink any bottle under the table. It was
because of peer group pressure. We enjoyed diverting ourselves alcoholically.
We were not given to subduing the womenfolk as a mark of accomplishment; we
always got together to drink and smoke cigarettes. As we got older, I felt
there is a need to cut down on all these excesses. I gave up smoking though I
smoked for 21 years. I gave it up when I discovered it wasn’t serving any
purpose.
You
said you smoked for 21years to ward off anger, now that you have stopped smoking,
how do you ward off anger?
I
don’t get angry easily anymore; I used my Fabian philosophy to stop that.
What
projects do you think can be incorporated into Nollywood to make it better?
If
our people are serious about the 100 years centenary celebration, do a movie
and invite people from the West, East, North and South. I don’t believe in this
North-West, South-West region division. Let us do a movie on areas of discord
within our collective existence; something we did to negate our values as a
people. Do a production that will smoothen out the rough edges, and get all
these regions together. There is no part of the Quran that says a Muslim cannot
marry a Christian. No, but because the people are not allowed to acquire
education, as a tabula rasa (blank slate) you can manipulate them. It becomes a
must-buy from every Nigerian.
The
least I can do is make suggestions. I have advised movie makers and told them
let’s do something that will talk about us from 1914-2014. Look at our
political evolution. We have had leaders who are trail blazers – people like Nnamdi
Azikiwe, Sardauna, Awolowo, Okotie-Eboh. These were the Nigerians who gave us
this country. Do things on their lives; let us capture the values that they
employed. Maybe I am too Utopian in my thoughts
Would
you describe yourself as a fulfilled man?
Yes.
What else am I going to ask from God? I have a brilliant wife and brilliant
children. So, yes, I am (fulfilled).
You
earlier talked about being alive in the days of the (civil) war. What do you
remember of those days?
We
suffered a lot from hunger and malnutrition. We were killed a lot. It’s not
something I would like to remember, so let’s skip it please.
You
have lost a few of your colleagues – your good friend, Justus Esiri
particularly. What are those memories that you will never forget about him?
Oh,
very good question! We always challenged each other whenever we were on set.
The camera would come to you to take your lines and some people stumbled over
their lines. Some people just smoothly presented theirs. And whenever Esiri
presented his lines, he would look at me and say ‘Emenike, one take.’ So I
started calling him ‘One take Esiri’. I went for his burial and took
photographs with his family. There was one thing he (Esiri) enjoyed most, which
was quarrelling and making up. I would quarrel with him during a movie
production and take him in my car to eat Isi Ewu (goat head) and then we would
get back into the car and continue the quarrel till we got back on set. I did
Things Fall Apart with Esiri, and his death was a huge shock to me, because I
did not even know that he was ill.
But
you said you were close. Were you not communicating?
You
see, there is one thing about actors: they hardly communicate as regularly as
they ought to. For instance, I am in Lagos, there are so many people who would
love to know where I am. Maybe a few days after, they would get to hear that I
came to Lagos. Even if he was ill, I don’t think he was ill for too long before
he died. And I hadn’t been on set with him before he died. I lost a good friend
in him.
Most
entertainers believe that Lagos is the hub of business in Nigeria. Why did you
decide to stay back and reside in your hometown, Enugu?
You
did not even ask me whether it is ideal to call Lagos a hub; it is not. You see,
the people who sponsor the production are mainly in Onitsha; they have branches
in Lagos. Check all the big names you know. But again, they took off from
Lagos. I don’t have to come and settle in Lagos to make a living. When I was
doing journalism, we were taught to go after our subjects; they shouldn’t come
to you, and that is the mistake a lot of you younger ones make. They say ‘I
want to interview you sir’ and when I tell them I am in Enugu, they say, ‘Ehh
sir, when are you coming to Lagos?’ instead of them to come and catch me in my
own habitat.
You
are synonymous with playing the role of a tough man. Does this come into play
in real life? Are you a tough father?
My
kids would tell you that I am a very strict father. I don’t believe in doting
on children. This is why all my sons graduated without creating problems for
me. I promised each of them that when they graduate, I would buy them a car.
And
did you fulfil that promise to each of your six sons?
Yes,
I did. There are things you must do to encourage children and then create
circumstances that would lead them away from areas of temptation. If a man is
driving his own car, he drives at his pace; but there is something with peer
group influence. If your friend brings out his father’s car and you get into
it, there is a tendency to pursue excessively, trying to see who will outdo the
other. Then you create problems, and I said instead of these children going out
and getting into vehicles belonging to their friend’s fathers, you graduate
with your own.
What
are the things you remember about childhood?
I
was very mischievous. (Bows his head for some seconds) We always sneaked into
the European quarters to steal mangoes and carrots. We were pursued by the
White people. We would even jump into the river to escape, but they would wait
for us till we came out. I did very funny things. If you are not mischievous,
you can’t be a good actor.
What
are your hobbies?
I
listen to classical music and watch television. I did boxing for sometime and I
watch sports because I was in charge of sports for a long time. I read a lot,
especially when I listen to my classical music in the background. If I am not
reading materials within the country, I am going from one television station to
the other.
In
your years on earth, what would you say you have learnt from life?
Life
has taught me to be useful to fellow human beings. It has taught me that we all
belong to one family and that God is the head of the family, so we should at
all times consider the feelings of other people. The first time you meet
somebody, try to understand, because we are like fingers of one hand; the
moment you cut off one finger, the whole hand feels the pain. Life has taught
me to get along with people. You can hardly find me quarrelling with people. We
can have intellectual disagreement but not market-women quarrels.
There
are some women you usually are on set with – Patience Ozokwor, Rita Edochie,
and others. What is your relationship with them?
What
do you mean?
I
mean how do you relate with them: are you close friends?
How
could they be my enemies? They are very small children compared to me now,
common. I love Patience a lot; we have known each other for a very long time.
Rita is married to one of my younger brothers.
The
first person I got quite close to was Liz Benson. She did a couple of movies
with me, suddenly Liz left. I think she is a preacher now; then Clarion
Chukwura-Abiola. And Ngozi Ezeonu is a sister of mine from the same local
government. I don’t see them all the time, but whenever we come in for a
production, they are very fond of me because they look at me as their big
daddy, and I enjoy that role. Whenever I am in a production, people don’t
quarrel....
Why
don’t they quarrel?
Whenever
there is a disagreement, they come to me and I listen to both sides; and when I
listen, I tell the party at fault to apologise. Then they buy me kolanut. Well,
this father figure has stuck with me for a very long time and I enjoy it.
What
do you think of your son, Yul Edochie, as an actor?
Certainly
I am proud of him; he impresses me. I am his worst critic. I watch his
interpretations. He speaks good English – which is what I go for first. He has
a very good communicative voice. His voice is authoritative. I think he is
doing well. He is always working.
Is
being your son not an advantage for him?
I
don’t think so, because he was not the first to get into the industry. His
elder brother, Linc, was there before him and regrettably didn’t make an
impression, while he came and the industry embraced him with open arms – which
Linc couldn’t achieve. So, if it was a question of being Pete Edochie’s son,
then his senior would still be there.
If
Linc once tried to act and wasn’t really successful at it, why then did you not
try to stop your other son, Yul, when he showed interest in acting?
There
is nothing my children will do that will make me stop them. Yul is here in
Lagos; his immediate senior is an architect. The other one that came before
Linc, Gene, came to the house few weeks ago with a pretty tall girl and said
‘Dad, this is the girl I want to marry. She is a Yoruba girl, and her father is
a Muslim, while her mum is from Asaba, and she goes to a Catholic church with
the mother’ and I said I had no objections and advised him to meet the father
of the girl. If he approves of your relationship with his daughter, we’d follow
you to them. I would not prevent any of my children from marrying or doing
whatever they choose. I did not choose professions for them, but they always
topped their classes when they were in school.
Is
it true you were against Olu Jacobs acting as Igwe in Nollywood movies?
First
of all, I didn’t say that. The people who direct those movies with Olu are not
fair to him because they are not grounded in the culture; therefore they make
him do the wrong things. People just want to destroy my friendship with Olu
Jacobs. I never said that a Yoruba man should not play Igwe.
The
last time I saw Olu in Asaba, I got down from the car and we hugged and tears
came to our eyes and Olu said to me, ‘Pete, our colleagues are going.’ This was
after Esiri died. Even as I am saying this now, it affects me. Olu has been my
friend for God-knows-how-many-years. I was born and raised in the North. Olu
had some orientation in Kano; he speaks Hausa. There are jokes that are
peculiar only to two of us. The press sometimes likes to sensationalise what
makes little or no sense. Sometimes they even argue about Pete Edochie earning
more than Olu. These people are crazy. The people who direct most of the
cultural films that feature Olu are not competent to direct him. Olu is an
accomplished actor.
What
the director tells you is what you do. Number one, in our own culture, you
don’t hold the horse whip like they do in Yoruba land. Yoruba people hold it at
the head while we Igbos hold it at the middle because we use that head for
shaking hands. When Olu plays Igwe, they don’t tell him that, so he holds it
like a Yoruba man – which is wrong.
Number
two, if you are addressing your cabinet, you do not stand up and talk to them.
As the Igwe, you sit down on the throne. Go and watch me play the Igwe; I am in
perfect control. People don’t shout or haggle when I play the Igwe.
Number
three, you do not leave the palace to go out and consult the native doctor as
the Igwe. No; the native doctor is one of your subjects; you summon him to the
palace to do his divination. These youngsters who direct Olu don’t know these
things. So, when people watch these things, they come to me and say how can you
be there and this man is killing our culture, and I tell them that it is not
his fault. It is the fault of those who are directing him and they don’t know
these things. Please, I want you to emphasise this because someone also told me
he read it on the Internet that I said Yoruba men shouldn’t play Igwe. Why are
we acting? I went to the North where I played Emir in a production. Olu speaks
Hausa and he also did a production where he played a Hausa man. This is why we
are actors for God’s sake. To credit me with that kind of statement is being
unfair to me and my status. They want to knock heads so we will be at daggers
drawn when we’ve been friends for over how many years. That’s nonsense.
Have
you ever discussed it with him?
It’s
not necessary; I don’t consider it a topic. People just wake up and cook up
stories. Look, I was sitting in my house and someone phoned me that he just
read on the Internet that I fell from a height of 50ft while shooting a film in
Austria. People kept phoning my children here and there. But Pete Edochie
doesn’t enter any airplane. I don’t fly.
You
have a phobia for flying? What was the experience behind it?
Yes
I do (have a phobia for flying). I went to Egypt in 1975, we flew out from Kano
and we flew for hours until we got to the Sahara desert, and it was sand all
through. Someone who was sitting next to me said “Eh, so if something happens
to this plane and it crashes, nobody will know where we are.” From that moment,
I developed that phobia. I am also claustrophobic. If you put me inside this
house now, I won’t be able to stay. I was stuck in a lift once and it was a
very harrowing experience. Also, if I stand on the ground and look at a very
tall building, my head would begin to swing. I don’t like heights at all.
Being
a one-time broadcaster and an actor, you must get a lot of female attention.
How did you get to the point where you were able to ward off the advances of
women?
I
was a very handsome young man. As a young person, they used to call me Elvis
Presley. I grew my hair long and I still do. I danced a lot. On television, I
was reading the news and doing presentation, and I will be honest with you,
girls liked me a great deal. I did not invest too much voltage in responding to
their affections; but you see, at a stage, an old blind man from Sierra Leone
shook hands with me when I was 21 and he said, “My son, women like you a lot.
Go and get married before they confuse you.” This was in Aba in 1968 while the
war was still on. We went to visit my friend who lived in that compound six
months after the old man said this. We met the old man again; he felt my hand
and said, “I have touched this hand before. And I told you to go and get
married and women like you a lot. Are you married now?” That’s when I knew he
was not kidding. So, the following year, 1969 at age 22, I got married. So, you
see, I never really had the time to womanise. By 23, I had my first son; I had
all my children early. The young man you see on television, Yul Edochie, who I
hear is a very hot actor now, is the last of my children. My first son is 44
years old and I already have 10 grandchildren. I did not believe in
ostentatious living and I wasn’t trying to impress anybody. I got married
because I was convinced I ought to marry and I did. So, I was able to cope with
the women. Even now, the women still fancy me a lot and sometimes I get amused
because I am a very old person; what do they still fancy in this body? Life is
funny.
You
once said the women are the stronger sex. Have you ever been tempted by a
woman?
Why not? Am I not a human being? I say to myself:
you have a wife who honours you, Pete; why must you go out to mess yourself up?
I have been married for 45 years and can say that my marriage is the longest
standing marriage in Nollywood.
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